Occupational
Outlook Handbook, 2008-09 Edition
Significant Points
Competition for jobs is expected to be keen because the work is
attractive to many people. Technical expertise, a “good eye,”
imagination, and creativity are essential.
More than half of all photographers are self-employed, a much higher
proportion than for most occupations.
Nature of the Work
Photographers produce and preserve images that paint a picture,
tell a story, or record an event. To create commercial-quality photographs,
photographers need technical expertise, creativity, and the appropriate
professional equipment. Producing a successful picture requires
choosing and presenting a subject to achieve a particular effect,
and selecting the right cameras and other photographic enhancing
tools. For example, photographers may enhance the subject’s
appearance with natural or artificial light, shoot the subject from
an interesting angle, draw attention to a particular aspect of the
subject by blurring the background, or use various lenses to produce
desired levels of detail at various distances from the subject.
Today, most photographers use digital cameras instead of traditional
silver-halide film cameras, although some photographers use both
types, depending on their own preference and the nature of the assignment.
Regardless of the camera they use, photographers also employ an
array of other equipment—from lenses, filters, and tripods
to flash attachments and specially constructed lighting equipment—to
improve the quality of their work.
Digital cameras capture images electronically, allowing them to
be edited on a computer. Images can be stored on portable memory
devices such as compact disks or on smaller storage devices such
as memory cards used in digital cameras and flash drives. Once the
raw image has been transferred to a computer, photographers can
use processing software to crop or modify the image and enhance
it through color correction and other specialized effects. As soon
as a photographer has finished editing the image, it can be sent
anywhere in the world over the Internet.
Photographers also can create electronic portfolios of their work
and display them on their own webpage, allowing them to reach prospective
customers directly. Digital technology also allows the production
of larger, more colorful, and more accurate prints or images for
use in advertising, photographic art, and scientific research. Photographers
who process their own digital images need to be proficient in the
use of computers, high-quality printers, and editing software.
Photographers who use cameras with silver-halide film often send
their film to laboratories for processing. Color film requires expensive
equipment and exacting conditions for correct processing and printing.
(See the statement on photographic process workers and processing
machine operators elsewhere in the Handbook.) Other photographers
develop and print their own photographs using their own fully equipped
darkrooms, especially if they use black and white film or seek to
achieve special effects. Photographers who do their own film developing
must invest in additional developing and printing equipment and
acquire the technical skills to operate it.
Some photographers specialize in areas such as portrait, commercial
and industrial, scientific, news, or fine arts photography. Portrait
photographers take pictures of individuals or groups of people and
often work in their own studios. Some specialize in weddings, religious
ceremonies, or school photographs and may work on location. Portrait
photographers who own and operate their own business have many responsibilities
in addition to taking pictures. They must arrange for advertising,
schedule appointments, set and adjust equipment, purchase supplies,
keep records, bill customers, pay bills, and—if they have
employees—hire, train, and direct their workers. Many also
process their own images, design albums, and mount and frame the
finished photographs.
Commercial and industrial photographers take pictures of various
subjects, such as buildings, models, merchandise, artifacts, and
landscapes. These photographs are used in a variety of media, including
books, reports, advertisements, and catalogs. Industrial photographers
often take pictures of equipment, machinery, products, workers,
and company officials. The pictures are used for various purposes—for
example, analysis of engineering projects, publicity, or records
of equipment development or deployment, such as placement of an
offshore oil rig. This photography frequently is done on location.
Scientific photographers take images of a variety of subjects to
illustrate or record scientific or medical data or phenomena, using
knowledge of scientific procedures. They typically possess additional
knowledge in areas such as engineering, medicine, biology, or chemistry.
News photographers, also called photojournalists, photograph newsworthy
people, places, and sporting, political, and community events for
newspapers, journals, magazines, or television.
Fine arts photographers sell their photographs as fine artwork.
In addition to technical proficiency, fine arts photographers need
artistic talent and creativity.
Self-employed, or freelance, photographers usually specialize in
one of the above fields. In addition to carrying out assignments
under direct contract with clients, they may license the use of
their photographs through stock-photo agencies or market their work
directly to the public. Stock-photo agencies sell magazines and
other customers the right to use photographs, and pay the photographer
a commission. These agencies require an application from the photographer
and a sizable portfolio of pictures. Once accepted, photographers
usually are required to submit a large number of new photographs
each year. Self-employed photographers must also have a thorough
understanding of copyright laws in order to protect their work.
Most photographers spend only a small portion of their work schedule
actually taking photographs. Their most common activities are editing
images on a computer—if they use a digital camera—and
looking for new business—if they are self-employed.
Work environment. Working conditions for photographers vary considerably.
Photographers employed in government and advertising studios usually
work a 5-day, 40-hour week. On the other hand, news photographers
often work long, irregular hours and must be available to work on
short notice. Many photographers work part time or on variable schedules.
Portrait photographers usually work in their own studios but also
may travel to take photographs at the client’s location, such
as a school, a company office, or a private home. News and commercial
photographers frequently travel locally, stay overnight on assignments,
or travel to distant places for long periods.
Some photographers work in uncomfortable or even dangerous surroundings,
especially news photographers covering accidents, natural disasters,
civil unrest, or military conflicts. Many photographers must wait
long hours in all kinds of weather for an event to take place and
stand or walk for long periods while carrying heavy equipment. News
photographers often work under strict deadlines.
Self-employment allows for greater autonomy, freedom of expression,
and flexible scheduling. However, income can be uncertain and the
continuous, time consuming search for new clients can be stressful.
Some self-employed photographers hire assistants who help seek out
new business.
Training, Other Qualifications, and Advancement
Employers usually seek applicants with a “good eye,”
imagination, and creativity, as well as a good technical understanding
of photography. Photojournalists or industrial or scientific photographers
generally need a college degree. Freelance and portrait photographers
need technical proficiency, gained through a degree, training program,
or experience.
Education and training. Entry-level positions in photojournalism
or in industrial or scientific photography generally require a college
degree in photography or in a field related to the industry in which
the photographer seeks employment. Entry-level freelance or portrait
photographers need technical proficiency. Some complete a college
degree or vocational training programs.
Photography courses are offered by many universities, community
and junior colleges, vocational-technical institutes, and private
trade and technical schools. Basic courses in photography cover
equipment, processes, and techniques. Learning good business skills
is important and some bachelor’s degree programs offer courses
focusing on them. Art
schools offer useful training in photographic design and composition.
Photographers may start out as assistants to experienced photographers.
Assistants acquire the technical knowledge needed to be a successful
photographer and also learn other skills necessary to run a portrait
or commercial photography business.
Some photographers enter the field by submitting unsolicited a
portfolio of photographs to magazines and to art directors at advertising
agencies; for freelance photographers, a good portfolio is essential.
Individuals interested in a career in photography should try to
develop contacts in the field by subscribing to photographic newsletters
and magazines, joining camera clubs, and seeking summer or part-time
employment in camera stores, newspapers, or photo studios.
Other qualifications. Photographers need good eyesight, artistic
ability, and good hand-eye coordination. They should be patient,
accurate, and detail-oriented and should be able to work well with
others, as they frequently deal with clients, graphic designers,
and advertising and publishing specialists. Photographers need to
know how to use computer software programs and applications that
allow them to prepare and edit images, and those who market directly
to clients should know how to use the Internet to display their
work.
Portrait photographers need the ability to help people relax in
front of the camera. Commercial and fine arts photographers must
be imaginative and original. News photographers must not only be
good with a camera, but also understand the story behind an event
so that their pictures match the story. They must be decisive in
recognizing a potentially good photograph and act quickly to capture
it.
Photographers who operate their own business, or freelance, need
business skills as well as talent. These individuals must know how
to prepare a business plan; submit bids; write contracts; keep financial
records; market their work; hire models, if needed; get permission
to shoot on locations that normally are not open to the public;
obtain releases to use photographs of people; license and price
photographs; and secure copyright protection for their work. To
protect their rights and their work, self-employed photographers
require basic knowledge of licensing and copyright laws, as well
as knowledge of contracts and negotiation procedures.
Freelance photographers also should develop an individual style
of photography to differentiate themselves from the competition.
Advancement. After several years of experience, magazine and news
photographers may advance to photography or picture editor positions.
Some photographers teach at technical schools, film schools, or
universities.
Employment
Photographers held about 122,000 jobs in 2006. More than half were
self-employed, a much higher proportion than for most occupations.
Some self-employed photographers have contracts with advertising
agencies, magazine publishers, or other businesses to do individual
projects for a set fee, while others operate portrait studios or
provide photographs to stock-photo agencies.
Most salaried photographers work in portrait or commercial photography
studios; most of the others work for newspapers, magazines, and
advertising agencies. Photographers work in all areas of the country,
but most are employed in metropolitan areas.
Job Outlook
Employment of photographers is expected to grow about as fast as
the average for all occupations through 2016. Photographers can
expect keen competition for job openings because the work is attractive
to many people.
Employment change. Demand for portrait photographers should increase
as the population grows. Moreover, growth of Internet versions of
magazines, journals, and newspapers will require increasing numbers
of commercial photographers to provide digital images. The Internet
and improved data management programs also should make it easier
for freelancers to market directly to their customers, increasing
opportunities for self-employment and decreasing reliance on stock
photo agencies. As a result, employment of photographers is expected
to grow 10 percent over the 2006-16 projection period, about as
fast as the average for all occupations.
Job growth, however, will be constrained somewhat by the widespread
use of digital photography and the falling price of digital equipment.
Improvements in digital technology reduce barriers of entry into
this profession and allow more individual consumers and businesses
to produce, store, and access photographic images on their own.
Photojournalists may be adversely affected by the increase in “citizen
journalism”—when newspapers buy images taken by non-professionals
who happen to be at the scene of an event. Declines in the newspaper
industry also will reduce demand for photographers to provide still
images for print.
Job prospects. Photographers can expect keen competition for job
openings because the work is attractive to many people. The number
of individuals interested in positions as commercial and news photographers
usually is much greater than the number of openings. Salaried jobs
in particular may be difficult to find as more companies contract
with freelancers rather than hire their own photographers. Those
who succeed in landing a salaried job or attracting enough work
to earn a living by freelancing are likely to be adept at operating
a business and to be among the most creative. They will be able
to find and exploit the new opportunities available from rapidly
changing technologies. Related work experience, job-related training,
or some unique skill or talent—such as a background in computers
or electronics—also improve a photographer’s job prospects.
Earnings
Median annual earnings of salaried photographers were $26,170 in
May 2006. The middle 50 percent earned between $18,680 and $38,730.
The lowest 10 percent earned less than $15,540, and the highest
10 percent earned more than $56,640. Median annual earnings in the
industry employing the largest numbers of salaried photographers
were $22,860 in the photographic services industry.
Salaried photographers—more of whom work full time—tend
to earn more than those who are self-employed. Because most freelance
and portrait photographers purchase their own equipment, they incur
considerable expense acquiring and maintaining cameras and accessories.
Unlike news and commercial photographers, few fine arts photographers
are successful enough to support themselves solely through their
art.
For the latest wage information: The above wage data are from the
Occupational Employment Statistics (OES) survey program, unless
otherwise noted.
Related Occupations
Other occupations requiring artistic talent and creativity include
architects, except landscape and naval; artists and related workers;
commercial and industrial designers, fashion designers, and graphic
designers; and television, video, and motion picture camera operators
and editors. Photojournalists are often required to cover news stories
much the same as news analysts, reporters, and correspondents. The
processing work that photographers do on computers is similar to
the work of prepress technicians and workers and desktop publishers.
Sources of Additional Information
Career information on photography is available from:
Professional Photographers of America, Inc., 229 Peachtree St.
NE., Suite 2200, Atlanta, GA 30303. Internet: http://www.ppa.com
National Press Photographers Association, Inc., 3200 Croasdaile
Dr., Suite 306, Durham, NC 27705. Internet: http://www.nppa.org
American Society of Media Photographers, Inc., 150 North Second
St., Philadelphia, PA 19106. Internet: http://www.asmp.org
Source: Bureau of Labor Statistics, U.S. Department
of Labor, Occupational Outlook Handbook, 2008-09 Edition, Photographers,
on the Internet at http://www.bls.gov/oco/print/ocos264.htm. |